It was a crash course in practical filmmaking, a path taken by such filmmakers as Martin Scorsese, Ron Howard, Jonathan Demme and Joe Dante, but it was Franklin's AFI thesis film, a dramatic short called Punk (1986), that got him the job. He enrolled in the AFI Conservatory to study directing and supplemented his education with a two-year stint working for Roger Corman as a writer and director and other jobs on exploitation pictures at Concorde Pictures. A veteran stage and TV actor, Franklin made a career change at age 37. It went into preproduction in early 1990 with a budget of $2.5 million and director Carl Franklin at the helm. Hollywood was interested but it languished at the studios until independent producers Jesse Beaton and Ben Myron shopped it to I.R.S. The original screenplay was written by Billy Bob Thornton, at the time an actor struggling to make a career for himself, with his friend and longtime collaborator Tom Epperson. And it almost skipped theaters entirely for direct-to-video release, a fate it escaped thanks to critics who championed the film. An independent film with richly drawn characters, complex relationships and brutal violence, it was helmed by a filmmaker just breaking out of exploitation pictures and featured a largely unknown cast. One False Move was a startling revelation for audiences who discovered this lean, gritty crime drama in 1992.
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